• Portfolio
  • Preorder my book
  • About
    • About Me
    • Punch Needle Fashion
    • Press & Links
    • Contact
  • Blog
  • Events
    • ArtShare x Angel City
    • CONSTRUCT: Loud By Nature
  • Online Courses
    • Punch Needle Academy
    • Domestika
  • PNW
Micah Clasper-Torch
  • Portfolio
  • Preorder my book
  • About
    • About Me
    • Punch Needle Fashion
    • Press & Links
    • Contact
  • Blog
  • Events
    • ArtShare x Angel City
    • CONSTRUCT: Loud By Nature
  • Online Courses
    • Punch Needle Academy
    • Domestika
  • PNW

What's Old is New Again

I spent a lot of time last month reflecting, thinking about my art and why I create. In a recent post on Instagram I shared that I used to think that to be an artist, I had to have "something to say". As though the work itself wasn't statement enough, as though creating because I love it and have needed to make art my entire life, somehow wasn't enough.  I have to admit, I was nervous to share this sentiment because I felt like it was exposing something that would make me appear less of an artist -- that being that I'm not always sure what I'm trying to say with my work. The flood of comments from other artists and creatives who resonated with that statement relieved my nerves and showed me that I am not alone, and left me convinced that most artists feel this way at some point throughout their life/career.

Since then, I've been sifting through a range of thoughts on this subject. I reject the idea that artists need to have a deep and profound statement behind each work of art, and I think art schools and the broader "art world" contribute to the bs idea that they do. This idea is particularly insidious when presented as a prerequisite for creating, the idea that you should know exactly who you are and what you're trying to say before you begin, before you are allowed to be an artist. 

I feel deeply that creating and making art is a path to self discovery.  Creating allows us to discover who we are, to know ourselves more fully and to understand the unique light within us that we are trying to share with the world. And indeed, the more I create, the more I begin to understand myself and what I am about, what my work is about. Sometimes I surprise myself -- the art I think I want to make is not always what I find myself drawn to actually creating. Each piece I create is turning over another stone, finding another piece of the puzzle. 

But even when I think I understand something about my work, I am at a loss for how to "explain" it to others. It has always seemed ridiculous to me that I should need to convey the point of my work through words. Creating is it's own language, and the resulting work of art is the statement.  If it could be said clearly and concisely with words, why bother saying it with art? Writing about the meaning of a piece of art seems to me, as ridiculous as asking a writer to paint a picture to explaining the meaning behind their book.

Last month, I began attending a series of weekly seminars hosted by Slow Factory Foundation that have made a major impact on me. Centered around fashion, these seminars cover topics such as Fashion & Colonialism, Fashion & Waste, Fashion & Spirituality. The seminar on Fashion & Waste has completely changed the way I think about my work. I began to notice themes that have emerged in my practice, especially throughout this past year in regards to utilizing waste materials like old clothing and leftover fabric into quilts, coats and stitched work on paper. I began to connect the dots to my passion for the history of punch needle, a craft of poverty that began when women would dye and repurpose strips of old clothing and rags, hooking them through a backing fabric to create beautiful and functional rugs and floor coverings. I was reminded of my childhood, creating collages from magazines, sifting through piles of used clothing at goodwill, learning to make beauty from the materials I had on hand. 

What's old is new again. This theme has been resonating with me throughout the past month as I learn and unlearn, explore new work and new themes, and slowly uncover who I am.


xx

tags: creativity, art, fashion, self-discovery
Saturday 03.06.21
Posted by Micah Clasper-Torch
 

Familiar Uncertainty

Throwing myself into work has kept my mind focused and calm this month, and helped to quell some of the rising anxiety produced by the uncertainty of Covid and the upcoming elections here in the United States. Staying focused on the things in my personal and creative life that I can control, and the local actions I can take to help the community here in Los Angeles has been helpful, when the vastness of the world's problems can feel overwhelming.

Artists are no stranger to uncertainty. There is so little we can actually control about the outcome of our work. We can dream up a vision, try to make a plan, we can choose our materials and apply our effort and skills towards that vision, but a good artist must be flexible, must allow for deviations from the plan, be prepared for outside forces to affect the work and for it to take on a life of its own. An artist must learn to be open-minded, accepting that the outcome may result in either pleasant surprise or disappointment.


"Uncertainty is the essential, inevitable and all-pervasive companion to your desire to make art. And tolerance for uncertainty is the pre-requisite to succeeding."
- Art & Fear


Interestingly enough, with the amount of uncertainty in nearly every other facet of life these days, art has felt oddly safe and "certain" by comparison.  Being able to throw myself into the familiar uncertainty of creating art has kept me grounded, and the physical process of making has helped me to literally "work through" some of the emotions of this month.

There is a Langston Hughes poem called Let America Be America Again that has been on my mind for months, and it has inspired a new series of small works on paper. I find this poem incredibly moving, and it's continued relevance is only further indication of how little has changed in our country since 1935 when it was written. 

A short excerpt, below:


"O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath—
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain—
All, all the stretch of these great green states—
And make America again!"


There is something haunting about the similar phrasing of Langston Hughes' words "make America again" and Donald Trump's MAGA slogan. Yet simply removing one word reclaims the phrase, transforming it into something more positive, powerful and unifying.

Hughes' is the original message.

It is a call for America to fulfill it's original promise — not to return to something it ever actually was — but to finally become something it has always had the potential to be. Like Hughes in 1935, I am still hanging on to hope that one day, for all of us, "America will be". 

xx

tags: art, uncertainty, america
Monday 08.31.20
Posted by Micah Clasper-Torch
 

A short month, full of inspiration

February may be the shortest month of the year but these past few weeks have been packed to the brim.

Earlier this month I flew to Philadelphia for the opening of TUFT, a group show at GROUP PROJECTS PHL that was curated by Tim Eads. It was such a thrill to see my coat Six of Hearts displayed in a gallery alongside a variety of talented punch and tufting artists! Tim and I first connected back in September when he was in Los Angeles teaching a workshop, and it was great to reconnect, and spend time getting to know a handful of the other artists involved in the show. Meeting people from my online world in real life has led to some truly wonderful connections. I'm grateful for the opportunity to travel, and every chance I get to meet people face to face.

During my time in Philly, I stopped by the Philadelphia Art Museum to see the show Off the Wall: American Art to Wear and I was blown away. Most exhibits I've seen on wearable art are relatively limited in scope, but this show was comprehensive and inspiring. It celebrated the mixed media artists who pioneered the wearable art movement in the 60's and 70's, and helped me better contextualize my own work in relation to these movements. I am hopeful that exhibitions like this will continue to shed light on art forms (like fiber art) that have historically been excluded from the fine art world. 

Back in Los Angeles, I attended Superfine art fair as well as Frieze. Superfine was underwhelming, but Frieze was an invigorating display of contemporary art from the beautiful to the absurd, and the tent at the Paramount lot was filled with an elegant, fashionable art crowd that made me feel like I was back in New York City. That same weekend I went to Kathleen Ryan's show Bad Fruit at Francois Ghebaly, delighted for the opportunity to see her work in person. I don't remember how I first stumbled upon her intricate sculptures, but it captivated me immediately! I was thrilled to be able to attend her opening.  At Vielmetter later that evening, for the opening of Karl Haendel's Double Dominant, I was pleasantly surprised to learn there was a dinner hosted by the artist after the show. A long table had been set up in the gallery space, and the attendees — other artists, collectors and friends of Susanne and Karl — all gathered around to enjoy a meal. What a fantastic experience.

Needless to say, it's been an inspirational month.

As I look towards March, I'm ready to dive into some new personal projects. I recently completed a commissioned art piece for a friend of mine and it sparked a wealth of new ideas. I have plans for new accessories, and have been exploring a collection that encompasses a range of art and design. Some of my personal work has been put on hold in recent weeks as the majority of my time has been focused on three exciting partnerships that I can't quite share yet... it's hard to be patient, but reassuring to know there is so much on the horizon!


xx

tags: life, art, inspiration
Saturday 02.29.20
Posted by Micah Clasper-Torch
 

Return Policy | Newsletter | Contact